This picnic scene of people sitting along the stream, passing wine glasses by the current and writing poems and drinking has been around for thousands of years. The reason why picnics are popular is never because of tablecloths or props, but because of the comfort of good food and nature, playing games with friends and chatting with each other.
And then there is Song Yi. She just killed the youth some time ago, and then she joined the group again after a long time. During this period, I also completed my wish to have a picnic. I just saw the picture she arranged, and the first thing I felt was a good girl and a good Internet celebrity. The light yellow tablecloth is decorated with all kinds of food on plates, and even flowers, balloons and flags, which is estimated to take a long time to decorate.
The increasingly leisurely picnic culture has long spread all over the world, and although the forms are rich and colorful, carefully prepared food is still the protagonist on the tablecloth. British people who are proud of traditional culture are still popular with exquisite hand-made food at summer garden parties. They show the connotation of British culture with exquisite rituals and inherit hand-made natural cuisine to get close to nature. It shows the leisure meaning of returning to nature in modern British culture.
Old beach towels, plastic tablecloths, blankets and even mats can be superimposed as picnic cloths. The cotton and linen picnic cloth is durable and photogenic. If you are afraid of getting wet, you can spread a layer of moisture-proof mat underneath.
Picnic cloth is essential, mainly with plaid and solid color, because the background is mostly green, so white, beige, yellow and red and white checkered are recommended (because there are too many tablecloths, you can choose other colors if you want to avoid collision).
“the Last Night of the Earth” (2018) is called the sequel to “roadside picnic”. The film follows the previous 3D dream long shot and has numerous and complicated clues and images, and the story is still set in the dreamy and damp Kaili of southeastern Guizhou. Bi Gan used his film aesthetic concept to transform this place and land into a spiritual and cultural place pursued by human nature, and made the landmark Kaili both illusory and real. In the dazzling long lens, Kaili culture flashes the obvious brand of the second and third-tier towns in the west: old refrigerators, tablecloths, televisions, small electric tricycles, dilapidated video halls in the ruins, shabby billiard rooms, and open-air karaoke. These images reproduce the unique local culture in the county town, nostalgic but with traces of foreign cultural influence.